AHT100

 
AHT100 
Coordinator: Georgina Cole 
georgina.cole@nas.edu.au

Course outline

Assessments
Object analysis - due Friday 13 April via turnitin.com

Turnitin 
Go to www.turnitin.com and choose create account in the top right hand corner. Enter the information requested and select student as your user type. 
Enrol in your class using the class ID and password below.
Class ID:   17443288
Password: AHT100
Submit your assignment by uploading the document (Word, Pages or PDF) from your hard drive, flash drive or online storage. A similarity report will be calculated and show as a percentage next to your submission. You can overwrite this file as many times as you like before the due date. Please use 12pt type and double spacing to allow room for comments. Your marked assignment will be available for viewing after the post date. More information and help topics can be found on the turnitin website.

Handouts and guides
Visual analysis

Architectual analysis

Essay writing guide


Link to Chicago Manual of Style

Information on citing, bibliographies and paraphrasing

Readings and lecture images

Semester one
Week 1:   Ancient Greece: ideal bodies in sculpture and architecture 
Reading: http://www.nasaht.com.au/web_images/AHT100_Clark.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Greece.pdf

Week 2:   Buddhist art in Ancient India 
Reading: http://www.nasaht.com.au/web_images/AHT100_Behrendt.pdf
Lecture images:   http://www.nasaht.com.au/web_images/AHT100_Indian.pdf

Week 3:   Social objects: Aboriginal and Torres Strait Islander art
Reading: http://www.nasaht.com.au/web_images/AHT100_Morphy.pdf

Week 4: Traditions of Chinese landscape painting 
Reading: http://www.nasaht.com.au/web_images/AHT100_Kuo.pdf
Additional reading on art materials and techniques:  http://www.nasaht.com.au/web_images/AHT100_Silbergeld.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_SongYuan.pdf

Week 6:  Ancient Rome and Early Christian art  
Reading: http://www.nasaht.com.au/web_images/AHT100_Calkins.pdf
Additional reading on women in the middle ages: http://www.nasaht.com.au/web_images/AHT100_Carr.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_EarlyChristian.pdf

Week 7:  The Gothic cathedral 
Reading: http://www.nasaht.com.au/web_images/AHT100_Pevsner.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Gothic.pdf

Week 8:   Late Medieval painting
Reading: http://www.nasaht.com.au/web_images/AHT100_Miles.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Trecento.pdf

Week 9:  The Renaissance: Masaccio, Donatello, Botticelli
Reading: http://www.nasaht.com.au/web_images/AHT100_Leornardo.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Renaissance.pdf

Week 10:  The High Renaissance: Leonardo, Michelangelo, Raphael
http://www.nasaht.com.au/web_images/AHT100_Vasari.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_HighRenaissance.pdf

Week 11:  Art in Northern Europe: Van Eyck, Van der Weyden, Dürer
Reading: http://www.nasaht.com.au/web_images/AHT100_Talbot.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Northern.pdf

Week 12:   Caravaggio and Artemisia in seventeenth-century Rome
Reading: http://www.nasaht.com.au/web_images/Garrard_Gentileschi.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_BaroquePainting.pdf

Week 14:  Bernini, Borromini, and the Baroque
http://www.nasaht.com.au/web_images/AHT100_Hibbard.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Borromini_Bernini.pdf

Semester two
Week 16: Poussin, Claude, and the classical landscape / the theatre of Versailles
Reading:
Lecture images:

Week 17:  Art at court: Rubens and Velazquez                                                                                                                                                                                                                                    
Reading: http://www.nasaht.com.au/web_images/AHT100_Steinberg_Velazquez.pdf
Additional reading on Christ in the House of Mary and Martha: http://www.nasaht.com.au/web_images/AHT100_Tiffany.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Rubens_Velazquez.pdf

Week 18: Art in the Dutch Republic
Reading: http://www.nasaht.com.au/web_images/AHT100_Alpers.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Dutch.pdf

Week 19: Cabinets of curiosity, 17th-19th century
Reading: 
Images:

Week 20:  Reason and feeling in eighteenth-century art
Reading: http://www.nasaht.com.au/web_images/AHT100_Diderot.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_France.pdf

Week 21: Art vs craft: an introduction to material culture
Reading:
Lecture images:

Week 22: Art in Edo Japan

Week 23: Art and Colonialism in Australia
Reading: http://www.nasaht.com.au/web_images/AHT100_Bonyhady.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Colonial.pdf

Week 24:   Romanticism I: Goya, Friedrich, Turner
Reading: http://www.nasaht.com.au/web_images/AHT100_Rosenblum.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Romanticism1.pdf

Week 25:  Romanticism II: Ingres, Gericault, Degas
http://www.nasaht.com.au/web_images/AHT100_BlayneyBrown.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_Romanticism2.pdf

Week 26: Art, industrial culture and modernity
Reading: http://www.nasaht.com.au/web_images/AHT100_Gage.pdf
Lecture images: http://www.nasaht.com.au/web_images/AHT100_industrial.pdf